GessoHead
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Latest News and Thoughts from Ellyn Weiss
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August 22,2008
 Lorna's Massage House My friend and massage therapist extraordinaire, Lorna Kaplan, has, with her husband, Brad, built a compound in the woods of Wellfleet that looks like the village of the Hobbits. When I say they built it, I mean they built it mostly with their own hands. This is the massage house where I get re-adjusted periodically.
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Judy Chicago in Wellfleet |
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Latest News and Thoughts from Ellyn Weiss
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August 21. 2008
 Judy Chicago  The Dinner Party Last night Judy Chicago spoke at the Congregational Church in Wellfleet as a fundraiser for Castle Hill. She is tiny, raucous, fierce and bawdy (don't think I've ever actually used that word before) and as committed to her work and her vision as ever. Chicago has been subject to some pretty brutal criticism over the course of her four-decade career - most of us would have long since taken to our beds or learned to make "acceptable" art - so I have a great deal of respect for her strength. Until last night, however, I don't think I fully appreciated the consistently high level of her execution, the precision of her draftsmanship and her mastery of so many media. She is now working primarily in glass, a meidum which allows well for the contrast of the strength of solid forms with the transparency and vulnerabilty of glass.
 Julia Salinger's homage to Judy Chicago  Chicago glass piece The event was very well attended and I was, frankly, surprised by the number of men there, including the three that Ellen Sinel, Sondra Arkin and I dragged along. Perhaps they were mellowed by the wonderful dinner that Ellen made for us before the lecture, and Norm's margaritas, but all of the men seemed surprised by their own reactions to Chicago, their respect for the seriousness of her intentions and her work. (I note, to be truthful, that the slides included rather fewer vulvas than one would expect from Chicago's oeuvre and nothing terribly explicit.) I also snapped a picture of the always-memorable Julia Salinger, dressed appropriately for the event, as usual.
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Bonfanti and delRosario at Rice Polak |
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Latest News and Thoughts from Ellyn Weiss
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August 20,2008
 "Teddy" by Ross Bonfanti Sounds like the Italian ice dancing team - Bonfanti and delRosario - but they are two of my favorite artists at the Rice Polak Gallery in PTown. Ross Bonfanti's most recent work is a series of petrified teddy bears, raggedy old toys that have been cast into concrete with such fidelity that you have to touch them to make sure they're not cloth.There's something about taking a treasured old toy with such evocative powers that it transports most of us instantly into memories of childhood and transforming into the least cuddly of materials. Not to mention that we are still debating how it was done.
 "Furry Creature" by Edward delRosario I am also always taken by the paintings and drawings of Edward Delrosario. The technique is extremely precise yet flat and curiously lacking in affect, while the content is often sexually provocative and always enigmatic - people suspended in a timeless and featureless environment confronting the viewer, perhaps with a bizarre physical characteristic or the remainder of an inexplicable act.
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Latest News and Thoughts from Ellyn Weiss
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August 20, 2008
 Bob Henry and Selina Trieff's plates  Mona Dukess setting up the auction Oh, I have been a bad little blogger, absent for a week. I'm surprised that I haven't been besieged by inquiries about my health and well-being. Hmmmm....
Well, there is a tradition up here of holding auctions of local art to raise funds for our worthy arts institutions. Some folks use these events to build some impressive collections at bargain prices. It is really amazing how many artists give over and over to these auctions, and not just by rummaging around in the recesses of their studios for some piece that hasn't sold for a century or so, but by making something special for the cause. The most recent was the Castle Hill auction. This year's special project were plates; a group of prominent local art worthies volunteered to decorate four plates each. They were pretty terrific.
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Latest News and Thoughts from Ellyn Weiss
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August 11
 2/3 of Team Weiss My nuclear family and I celebrated my birthday with dinner at The Mews in PTown. "Twas a memorable evening, helped along by liberal amounts of a lovely sparkly Blanc De Blanc.
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Latest News and Thoughts from Ellyn Weiss
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August 10,2008
My co-conspirator Sondra Arkin and I are curating a show called "Under Surveillance" that will open on September 18 at the Nevin Kelly Gallery in Washington, DC. It will include a dozen artists from the DC area in all media, from drawing through painting, glass sculpture, and sound. The artists are, in alphabetical order: Sondra Arkin, Scott Brooks, Groover Cleveland, Richard Dana, Anna Davis, Aziza Gibson-Hunter, Rosemary Luckett, Elizabeth Morisette, Ann Stoddard, Tim Tate, Ruth Trevarrow, Ellyn Weiss
Here is the mainfesto for the show:
For quite some time, we have been observing with concern, anger and even fear the increasingly diminishing zone of personal privacy available to any of us, the freedom to speak, write, believe, read, travel, even think in complete privacy. One need not do research to document this; it is presented every day in the newspapers and popular media, as well as our daily experiences.
We have quickly become accustomed to random pat-down searches and shoe removals at the airport; these seem benign by now, as does as the inability to enter virtually any office building without producing identification and, in many cases, going through a metal-detector. Indeed, we would be surprised to encounter a lobby of any consequence at all without uniformed security and cameras, yet these measures were not so very long ago confined to such institutions as the CIA.
In the past few years we have learned through the media, not the government, about much more sinister, invasive and secret surveillance such as warrantless wiretapping of conversations, surveillance of public library usage and monitoring internet and telephone traffic from homes and workplaces. While the initial outcry was loud when these intrusions into our privacy were first disclosed, they are for the most part continuing and it seems quite possible that we are on the verge of becoming accustomed to and tacitly accepting of these as well. We have already accepted the incredible proliferation of cameras throughout our cities that record our physical presence as it moves through space throughout the day.
Nor is the surveillance by any means limited to the government. The internet has facilitated an enormous amount of data collection about our purchases, our viewing habits, our homes, our friends and business connections, the groups we belong to and support. Virtually none of this is truly private, nor is the distinction between government and corporate enterprise a clear one in this day when private soldiers fight in Iraq and private contractors run prisons. Even your own backyard is open for anyone to view using Google Earth. The government’s somewhat more sophisticated satellite imagery can read the license plate number on your car.
Short of disconnecting from the modern world completely, there is not much we can do to find a truly inviolate private space.
This is the theme that we have asked some of our fellow artists to treat. We invited them to participate because their work has shown to us a desire to engage ideas.
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Are You Your Regular Self? |
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Latest News and Thoughts from Ellyn Weiss
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August 7, 2008
I saw this sign yesterday and it got me thinking, or a reasonable facsimile thereof. How many of us can say that we are our regular self? We've spent so many years shining and buffing our personas, creating the far more attractive and lovable self that we present to the world. Can we even remember what our regular self is? If we knew where it was, would we let it out of the closet?
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Printing at the Work Center |
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Latest News and Thoughts from Ellyn Weiss
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August 4, 2008
 nerve cells 2008 These are fruits, some still in process, of my last week at the Fine Arts Work Center printmaking studio. They began with images of nerve cells - the black and whites you can partially see on the far right - which seems to be my theme of the summer 2008. They were then combined, deconstructed, layered and worked over in various ways. My usual default color being aquamarine, I decided to flummox myself a bit by using only colors that can best be described as baby poop, plus black and white.
N.B. There are 100 billion nerve cells in your brain alone, but that doesn't mean you can waste any of them!
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Latest News and Thoughts from Ellyn Weiss
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August 3, 2008
 old house new underwear OK, it's actually Typar, apparently a relative of the ubiquitous Tyvek, but Tyvek sounds so much scarier, like a dybbuk. Kind of... Don't you think? But I digress. On June 18, after visiting Provincetown for the first time this summer, I photographed PTown homes for a blog entry featuring houses before and after gentrification. And I used this house as the before picture. In-bleeping-evitably, I found last week that this very house has been invaded by the Tyvek. The new owner, who happened to be there as I surveyed the scene, assures me that he intends to be true to the original. I weep for the loss of the raffish, the raggedy-ass and the broken down, devoured in the maw of the Tyvek.
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