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Latest News and Thoughts from Ellyn Weiss
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April 24, 2008,
 Little guy I spent a pleasant chunk of today with my good friend Sondra Arkin making teeny tiny little pieces of art - 5" x 7"- for the Art Anonymous fundraiser for the Corcoran School of Art. Given my (at best) ambivalent feelings on the subject of the Corcoran (see April 4, below) let me add that I am doing this because my friend Philippa Hughes asked me and I always try to do everything that the fabulous Philippa asks. But I digress.
This is the Corc's description of the event:
Art Anonymous
Sale and Reception Saturday, May 10, 6–11 p.m. in the North Atrium of the Corcoran Museum
The Corcoran Gallery of Art and FRIENDS
of the Corcoran are proud to host their first Art Anonymous fundraiser,
benefiting the Corcoran College of Art + Design’s BFA Scholarship Fund.
Leading contemporary artists will offer for sale unique, postcard-sized works
alongside the creations of students, faculty, and staff of the Corcoran College
of Art + Design and the Corcoran Gallery of Art. All works are only $100—the
catch: you do not know the identity of the artist until after the purchase.
So that officially makes me a Leading Contemporary Artist.
The piece reproduced here is not the piece I donated. I am abiding by the rules and keeping that one a big big secret. The little bitty piece here is another one that I made for me.
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Latest News and Thoughts from Ellyn Weiss
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April 22, 2008
 Mind/Body Another odd one I just ran across in the studio move chaos. I was just starting to mess around with wax at the time and this one was done on paper. It seems to be adhering well, so I think I'll try some more on paper. I have been saving some luscious 300-pound (very heavy) handmade paper from a ream I bought many years ago when flush. It has increased in value by a factor far greater than any of my investments, so I have begun viewing it as my old age insurance. Reminds me of that scene from "The Graduate", except the old dude whispers in Dustin Hoffman's ear, "paper, young man." It's all just art supplies!
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Christenberry at the Katzen Center |
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Latest News and Thoughts from Ellyn Weiss
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April 17, 2008
The Katzen Center for the Arts at American University is the DC's newest large arts institution. It is something of a hybrid - three stories of gorgeous, expansive exhibition space underwritten by the resources of a university, but without a permanent collection. Judging by the shows so far, the Katzen also lacks the overbearing and unpredictable bureaucratic/government oversight of the capital's more offical venues (think Jesse Helms and the famous Mapplethorpe debacle). Jack Rasmussen, its innovative Director, is taking full advantage of the opportunity to mount exciting shows that often have a political edge, such as the Botero Abu Ghraib paintings featured this winter.
 my friend Carol Ridker admiring the work The three current shows are all more than worthy; Washington's Willem De Looper has a retrospective on the top floor. My favorites are some lush color field paintings from the 1950's and 1960's. The bottom floor contains Personal Landscapes, a show of emerging Israeli artists dealing with the emotional, physical and intellectual landscapes of that fraught environment.
 Christenberry's Klan Room Tableau In the middle is what I think is the special prize: a selection of work by another Washington institution, William Christenberry.
Organized by the University of Virginia Art Museum, this exhibition features
50 of Christenberry’s rarely-exhibited drawings and the Klan Room
Tableau, which includes over 200 drawings, sculptures and other pieces. According to Christenberry this
body of work describes his “visceral reaction to this wholly and abhorrently
American phenomenon, which, although officially excised from the public, still
exists and arouses intense feelings in all areas of the country.”
Christenberry, a member of the Corcoran Faculty for many years and one of this area's truly nationally-renowned artists, has been shown very often in DC, but the Klan Room has not been included out of what can only be an excess of caution/fear/risk aversion on the part of the museums. So, thanks Jack and thanks to AU's Katzen Center, because it is truly worth experiencing. I apologize for the crummy picture, but the lighting is low in the installation and I had to be a bit furtive to avoid being disciplined by the staff.
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Affordable Art Fair in NYC June 12- 15 |
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Latest News and Thoughts from Ellyn Weiss
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April 17, 2008
The Nevin Kelly Gallery will have a booth at the Affordable Art Fair in NYC from June 12 - 15. Over 70 galleries from around the country and beyond will be represented. I will be showing some new work, maybe including these and I'm really excited at the opportunity to see all the art. 
Where: The Altman Building / Metropolitan Pavilion, 135 West 18th Street, NYC
When: Private Preview Cocktail Party, June 11th, 2008
Open to public, June 12th - 15th, 2008
I'm planning to attend the preview party. It's open to anyone who wants the first look at the work. Tickets can be purchased and further info obtained through
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Latest News and Thoughts from Ellyn Weiss
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April 16, 2008
 piggie Today I was unpacking some work on paper - part of the endless job of moving into the new studio - and found this collage from a few years ago. At the time I was painting those barber poles on everything. Don't know where they came from, but they hung around a year or so. Even now they make the occasional appearance. I was also working with dress patterns. I discovered a big pile of them in the Swap Shop at the Truro dump. That's where people contribute items otherwise bound for the trash pile that someone else might be able to use. The good stuff never even makes it into the building. There are regulars who hang around outside and pounce.
Anyway, notice the little piggie in the lower right corner? That summer I was using the printmaking shop at the Fine Arts Work Center in Provincetown and someone noticed that I was incorporating bits of old dress patterns into my monoprints. I came in one morning and found an envelope full of a bunch of little animals and flowers from old applique patterns, including the piggie that I used as a template for that guy. The anonymous donor wrote that she hoped I would enjoy using them, which I certainly have.
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Latest News and Thoughts from Ellyn Weiss
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April 15, 2008
 Molly Ruppert This smiling person in Molly Ruppert, doyenne of the Warehouse on 7th Street NW in Washington. The Warehouse, right across the street from the new and very very large Washington Convention Center, occupies two funky old buildings that have been in the Ruppert family for many years and is one of last remaining outposts of funk in a neighborhood on the verge of touristifying into boutique hotels and fusion restaurants.
The Warehouse is, sadly, on life support. Until a few months ago a bustling gathering place with its cafe, theater and gallery, home to art and theater whose only requirement was that it tickled the idiosyncratic taste of Molly, the Warehouse is over the next few months hosting its final art shows. (The current terrific show, The End of Nature, is discussed below.) Molly, Cappy, Paul and other assorted assorted family members have been true friends and supporters to the DC arts community. Many was the Sunday evening when Molly could be found serving her home-made chili, with Cappy and Paul's help, to artists collecting their work from the show coming down that evening
The Rupperts have been looking all over town for alternative space where they can reconstitute the Warehouse spirit. As it turns out, this has been an extremely difficult task. Mid-town is just too expensive for anything but the most upscale of ventures and neighborhoods are afraid of any use that attracts people at night, even on their commercial streets. It makes me so sad I want to cry. Doesn't anyone have a place for the Warehouse??
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New Encaustics at Nevin Kelly |
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Latest News and Thoughts from Ellyn Weiss
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April 13, 2008
 Morning Becomes Electric I just delivered these three encaustics to the Nevin Kelly Gallery, 1517 U St. NW, DC, where you can see them and even bring them home with you.  Oxford Avenue They speak to me of the season and are done in much higher key colors than I used all winter. Like I said, the sap must be rising. The Secret of My Every Fleeting Thought
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Latest News and Thoughts from Ellyn Weiss
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April 13, 2008
No, I don't like all of the art I see. Far from it. But I will not generally write about shows that don't interest me (or worse) with a couple of exceptions: if the artist is prominent and and I think they are just phoning it in, or if a show is hyped and seriously disappoints. In those cases, I think they should be called out. Other than that, there is more than enough good art out there and I just want to let you know about it. Life's too short to waste time on the rest.
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At The Warehouse: The End of Nature |
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Latest News and Thoughts from Ellyn Weiss
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April 12, 2008
 crayola flowers by Herb williams The End of Nature is a terrrific group show that opened last night at the Warehouse (more about that beloved and endangered institution and its first family, the Rupperts, later) Inspired, I assume, by Bill McKibben's book of the same name, the participating artists consider what a globally degraded and overheated future holds. The thirty or so artists come at the subject from very different angles; some, like Herb Williams, who fashioned flowers from crayolas, even find a lightly humorous take. Perhaps surprisingly, the show mostly succeeds in avoiding the scream-in-your-face style in favor of the more subtle, which is far more difficult to bring off. Most of the work is aesthetically engaging as well as thematically.
 Monkey Paws by Jonathan Prull  Renee Shaw's jars There is a lot of good work here; I'm not sure who did the curating, but he/she/they deserve much credit. I loved Jonathan Prull's monkey paws and Lynda Byrne's plastic nests.The piece I find myself most thinking about this morning is Renee Shaw's front window full of jars of pickled life. Each one contains a beautiful, frightening, slightly stomach-turning collection of what looks like bits of things once alive floating in vegetable oil, which imparts a luminosity and reflective quality that enhances the effect. It's like the window of a crazed Chinese herbalist.
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